Wednesday, 17 August 2022

40 and free

It's my big 4-0 this year!! For my birthday every year I try to do an illustration as a kind of birthday card to myself. In the portrait I try to embody the things that I hope for myself in the year to come.

This year I settled on a "cosmic creation" theme. I realise, at 40, I have so much freedom to pursue my passion in a way that I never have before. I've learned so much about myself over the last few years and this is the time that I can really start to put all that into action.

I started musing on the portrait in April because I wanted to come up with something new and inventive. I had a really wild idea of a portrait with a flaming head and black swan feathers. It would be ethereal and majestic and bad ass. But as the idea developed I kept hitting a wall. Something about it didn't feel true (though I might still finish the drawing at some point).

I had to go back to the literal drawing board. When trying to jumpstart an idea I sometimes revisit old ones in the hopes that they shake things loose. So, I sketched out an updated version of last year's portrait for fun and immediately things started to click. From the old drawing I kept the heart and the pen but thought this year instead of focussing my energy on finding peace and stability (which I have) I want to use my renewed energy, my heart and my art to create new exciting worlds. 

Every story I tell - every poem, every illustration, every blog entry - I create a lovely new little world. And when I share those little worlds I connect with other people, expanding my world in turn. 

Last year's portrait had a background that was inspired by Steven Universe because I'd just finished a drawing of my very own Themo Crystal Gems (which I just realised I never finished drafting the blog for). But this year I wanted to do something a bit more cosmic, something of my own - to embody the feeling of creation and infinite possibility that I had in my head. 

I played around with a few options trying to get the right feeling, but, in the end, I found inspiration again from an old favourite - Alphonse Mucha. My muse of many many years, Mucha's portraits have always inspired me to create new and wonderful pieces. And I ended up paying homage to his decorative panels "The Moon and Stars". I've had prints of these celestial bodies on my walls for years. 

40 and free - the pen and the heart
It's funny because, as I approach the big 4-0 I started to feel a bit adrift. I think, like a lot of people, "big" birthdays tend to bring big questions with them. We get to this point in our lives and there are so many internalised societal expectations of where we're supposed to be, it's only natural that we'd stand back and ask, "is this right?"

I thought about where my parents were at 40 and, as a single childless man, I'm in a completely different place than they were and so many of my peers currently are. Don't get me wrong, I'm not in a grass is greener situation. I've worked hard to be where I am. I made decisions and sacrifices to get where I am. And I'm happy with though choices as I'm now in an extremely privileged position to have the space and resources to even question those choices with little to no consequence. But, I do wonder "what next?" I have so much life ahead of me and, aside from a family unit all my own, I finally have all the things that I need to be happy - stable job, stable living situation, friends, relatively good health. So, what is my purpose going forwards when I'm not scrabbling up that hill to get my basic needs met?

Well, as I talked it out with friends, the answer came to me. I'd already finished the portrait and so much of what I want to do next was already in there (in fact they were there last year too!). Just like other people who have the families will have things that they've put on hold to get where they are, so do I. And, for the time being, because I don't have kids or a partner that I need to consider, I have the option of choosing my path and the freedom to pursue that goal with abandon.

For me, this next chapter is all about creative and artistic fulfilment. In so many ways moving to and settling in Scotland was kind of like my baby. I had to pause a lot of my life and career choices in order to stay here. And, as I worked several jobs to save up for the numerous visas and eventual citizenship, there often wasn't time to sit back and muse about poetry or pursue passions because a lot of space in my brain was occupied by the very real needs to keep a roof over my head. Now, with more security than I've ever had in my life, I have a strong foundation from which I can pursue my art and self-expression. It was all already there in the painting - the pen and the heart. I'd already told myself the answer before I even knew I was looking for it. 

I've seen some creative success in the last couple years and now I just have to keep going on that road. But, this time I'm not with proceeding with trepidation. I'm going forward with the boldness and confidence of knowing that this is what I'm meant to be doing. 

The rest of the symbols in the painting are pretty straight forward. The crown because I'm owning my shit. One of the things I've learned in the last couple years is I'm pretty good at stuff. I don't need to doubt or downplay my personality or skills anymore. I don't need to make myself smaller to be acceptable. I can be bold and trust that I have enough humility to know when I need to seek counsel. The orb in the middle is one of the universes that I'm creating - spinning worlds into existence with my imagination.

Cosmic portrait

Before I did the final picture I wanted to try something totally new. Again, going with the cosmic theme, I tried painting more of an interstellar galactic scene with the figure in the portrait blending into the the stars themselves. I had a great time experimenting with watercolour to try and get that wonderful cosmic cloud effect. I started by building up layers and layers of washes to get the deep clouds of reds, blues and purples. There was a lot of blotting to get the edges as diffuse and as possible.

I then went back in with deeper shades to get really dark areas to make the colours pop as much as possible. The tricky part was getting the figure itself to stand out. I liked using the white pen to outline the figure and added subtle bits of shading to make the form stand out as much as possible without making it too dark. I had characters like Eternity from Marvel comics and spirit Aang from Avatar: The Last Airbender in my head. 
 

I'm quite pleased with how it turned out. As an experiment I think it came out pretty well. There are things that I'd do differently if I did it again, for example, being more mindful of the where the darker shades are to make sure the white really popped where I needed it to. But, still it came out pretty cool and I had so much fun trying to push what I can get watercolour to do!

Original sketch:



Hope you enjoy!


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Wednesday, 3 August 2022

Selkie splash

I'm finishing up my entry about selkies for the bestiary. This guy has been one of my favourite creatures to draw and paint. There's something really fun about drawing a seals sleek shape along with the splashing water. Working on the Selkie and spending more time on the water even inspired a poem and cartoon for the Edinburgh Blue Balls

I actually made this first painting last summer. I went for a bit of a wander to Leith Links and sat under a willow tree to enjoy the day and enjoy flights of fancy. I wanted to test out my new travel water colour set and brush pens. From that experimentation this guy sprang onto the page!

In the bestiary Merlin describes the selkie as:
Selkie tramp stamp
"In their natural form they resemble a seal but are vivid blues, azures and greens. They have the most magnificent markings on their backs. At first glance they appear to be stripes, however, on closer inspection they prove to be densely gathered intricate spirals patterns. They have long flowing hairs on the tops of their heads and an internal glow that illuminate under the water. While on an evening dip it is quite a show to see a group of selkie lights streaking beneath the water. 
 
"When in human form they look just like any other aside from their pelt markings which remain around their lower backs."


The selkie's human form and their back tattoos were actually inspired by someone I knew. He was quite possibly the nicest, most loyal, kind hearted and unassuming person you could ever meet. But he had a massive lower back tattoo! It was such a shock it was indeed like finding out he was actually a mythical creature in disguise. 

When settling on a look for the selkie in its native form I stuck mainly to the features of a seal. I did explore other aquatic mammals to see if there were any features I could borrow to give the selkie a proper other worldly feeling. But, I realised that for it to truly be a selkie it needed to be as seal-like as possible. So besides big ol' purple eyes and some funky colours it's all seal.

However, one of my favourite drawings is of a walrus-like being. I was envisioning what a dying shapeshifting creature might look like, melting between two forms. This fella is a pretty sorry specimen and may not even be a Celtic creature! Perhaps they're some sort of sea spirit from Greenland or even further afield that got lost in a storm and ended up on the shores of Alba. Now in the (slightly) warmer climes they're struggling to maintain their form. It's a pitiable sight but beautiful in it's strangeness. 





Check out more from the Bestiary here!


Hope you enjoy!


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Sunday, 31 July 2022

She sells seashell - a poem

Themo H Peel - Selkie poem
A selkie by the North Sea

It started with a limpet shell.

I've always loved the water and after spending many summers on the waters of Connecticut studying marine life became a passion and joy. Then at the beginning of 2020 when I began The Artist's Way' by Julia Cameron one of my imaginary alternative careers was to be a marine biologist. 

But, as many things do, it began to fade and I did less things with the sea. But, at the start of 2020 I began looking to the sea for help and healing. I'd known for a while that my spirit animal is a blue whale. And through meditating and focussing on that I found a sense of excitement and peace.

Limpet shell
Through The Artist's Way I began dabbling in marine biology. As part of my artist's dates I would regularly walk to the ocean just to be on the water. I then began picking up shells taking them home and studying them.

The first shell I picked up was a limpet shell. And, in looking into it, I found that limpet teeth are made of the strongest substance on earth. Something about it gave me a sense of renewed strength in the need to be more tenacious. It told me that I was on the right track and encouraged me to get out to the sea more and more.

Themo H Peel - North Sea
Over the next few months I made more and more trips to the sea and eventually a friend invited me to join the Edinburgh Blue Balls for one of their cold water 'dips'. It seemed mad to consider jumping into the freezing North Sea in April. But, I'd made a commitment to trying new things and, particularly, be in or around the water as much as possible. So, I put my money where my mouth is, put on a pair of budgy smugglers and jumped (well, walked slowly) in. 

I can't say it was magical. But, I was not only joining a group of sea dippers, I was joining a group that was founded to support men's mental health. It has been such a boon to my life. It was on my second or third dip when I had a situation that would normally have caused an extreme bout of anxiety, but I seemed to sail through it because I was too busy laughing and jumping through waves. I began to realise what a powerful effect the water and the group was having on me. 

So, one day as I was practicing my water colours before working on my bestiary, I decided to warm up with what I believed a Blue Balls selkie would look like. The picture turned out better than I imagined and it slowly began a cascade of thoughts that led to one of my most recent favourite poems.

I'm so glad I'm reconnecting with the water. Every time I visit the there's another adventure or new organism or bit of information to learn about. Best of all I get to jump in regularly with an incredible group of guys. 

Themo H Peel - Photo by Schnapps Photography
And Venus Was His Name - photo by Schnapps Photo

Hope you enjoy!


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Tuesday, 19 July 2022

Life in colour - watercolour

Themo H Peel - Self portrait - watercolour
Self portrait - watercolour - 2020
I've been practicing my watercolours again. It's been nice to get back into them and remember some of the many many lessons I've learned over the years. 

I got my first watercolour set in Middle School. I was desperate to try my hand at painting. And, I'm pretty sure my parents' reason for handing me watercolours was because there were easy to clean up. And, I've always veered towards the less messy creative arts. However, I'd had the various paint by number acrylic sets and a Bob Ross oil paint kits as a kid. But, I never went back to any of those with any lasting interest. 

There's something about the fluidity and wildness of watercolour that seems to work well for me. Perhaps I'm drawn to them because they seem to be the favoured medium of many of my favourite illustrators. I remember being enchanted by Michael Foreman's illustration in Nicobobinus when I was 10 years old. The depth, texture and life that watercolour brought to his images was captivating. Manga artists tend to use a combination of pen, ink and watercolour. And some of my favourite illustrators, Tony DiTerlizzi for example, use watercolour in a way that is simultaneously fanciful and grounded in reality. 

Did I choose watercolour or did they choose me? Who knows?! I suppose it doesn't matter. I'm just glad to have reconnected with another form of self-expression that gives me the opportunity to share what's on the inside!

Hope you enjoy!


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